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Eugene O’Neill is truly a playwright of ideas,
ideas that speak to a fundamental aspect of
humanity. Many of O’Neill’s plays are set firmly
on American soil at a particular time in history,
(5)and it is easy to imagine that since the characters
on stage are American, the only viable audience
for such a play must be American as well. While a
logical conclusion, this does not allow for the con
sistently strong record of production of O’Neill
(10)plays in Europe. His plays encompass ideas rele
vant to everyone, not just Americans.